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MASKERADE
Zenith Theatre Company
St Aldhelm's Hall
Branksome, Poole
March 2004

THINK Phantom of the Opera, combine it with a weird dream involving rats, witches, dead bodies on coat-hangers and a Frank Spencer type character and you have something approaching the plot of this Stephen Briggs adaptation of Terry Pratchett’s Discworld novel.
The auditorium, decked out with candles, operatic memorabilia and, of course, THAT chandelier – why did they seat me under it, I wonder? –, looked marvellous, as did the sumptuous costumes. And despite an eleventh-hour calamity that necessitated re-building part of the set and lighting rig – life imitating art perhaps –, this hugely amusing production, directed by Ian Roth, went down a treat, and it certainly seems that Zenith has found its niche with these slightly oddball comedies.
Everything moved along at a fast and furious pace, and the numerous scene changes were accomplished quickly and efficiently. The cast threw themselves heart and soul into their characterisations and there were numerous first-class performances, not least from Debbie Back (Agnes Nitt) and Mechelle Summers (Christine), the opera singers who were not quite what they seemed. But occupying the star dressing rooms by a whisker were Dominic Millburn as twitchy stage-hand Walter Plinge, and Sheila Garrett and Ann Whitaker as witches Nanny Ogg and Granny Weatherwax.

Linda Kirkman
Courtesy of the Bournemouth Daily Echo


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